Cornelia Weinmann: Portfolio

June 7, 2012

Painting: Watercolour

Birch trees make for a convenient motif in watercolour painting because one doesn't need to draw too many branches. The bark of the tree trunk can be rendered by dragging different colours across, which is fun to do.

Birch Trees

SAA watercolours and ink on sketching paper. 2010.

Painting: Watercolour

A while ago my watercolour teacher, Howard Jones from Caerphilly, showed our class how to paint a quite realistic looking waterfall. Here is my version of it.

Waterfall

SAA watercolours and ink on Bockingford NOT 300gsm. 2010.

36 x 26 cm

May 13, 2012

Recycled furniture: Chest of drawers

This two-drawer chest is the last piece of furniture I painted in Canada. I swapped working on it for another unpainted chest of drawers which I turned into "Wired" (see post 27/4/2010).

This photo also shows the handpainted floor of one of my Canadian studios in Yarrow, British Columbia.

Acrylic paint, acrylic varnish, wood. 2001.

May 9, 2012

Painting: Oil

The village of Machen near Caerphilly in South Wales is located between the river Rhymney and a ridge to the north, Machen Mountain. A narrow lane leads up there, perfect for a walk. There are farms and grassland, hedgerows and oak groves. The tree silhouette always shows a defined line: that's how high a cow can reach nibbling at leaves.

Machen Mountain

Oil paint on Daler-Rowney canvas paper on hardboard. 2011.

16 x 16 cm

December 5, 2011

Fabric design: place mat

Bottles, one of my older designs, playing with a favourite approach to drawing - overlapping lines. To complement this place mat I later painted a big fabric napkin.

Place mat: acrylic paint, acrylic varnish, canvas cloth. 1995.

Size: 40 x 30 cm

Napkin: cotton fabric, Procyon fabric dye, Setacolor fabric paint. 1998.

July 8, 2011

Ceramics: sculpture

One of my experimental pieces, something semi-architectural. Since I prefer not to use glaze, I tried out clays of different colours, but with the same body. Fortunately I didn't get bad tension cracks. The bizarrely bent and rusty nails were epoxied in after the firing. I protected he surface of this House Box with beeswax.

Stoneware clay, grogged, cream and chocolate colour. Nails. 2009.

Size: 15 x 15 x 28 cm

Painting: Watercolour

Two samples of work done a little while ago at my watercolour class in Caerphilly, tutored by Howard Jones who just had a lovely exhibition in the refurbished Dahl Gallery at the Norwegian Church Arts Centre in Cardiff Bay, Wales.
More and more I realise that I'm drawn towards mixed media work and highly textured surfaces. Exciting to slowly develop a personal style.

Lighthouse

SAA watercolours on Bockingford NOT 300gsm. 2011.

Size: 28 x 38 cm

Wall after the Rain

SAA watercolours, chalk pastels and ink on Bockingford NOT 300gsm. 2011.

About my work

I have always been a maker of things, for as long as I can think back. My innate sense for colour, shape and balance first found expression in painting on glass, making linocuts and collages, assembling three-dimensional scenes in cigar boxes, sculpting with papier mâché and weaving. All these creative skills were put aside when I embarked on a career in the ivory towers of university. However, the call to be a maker rather than a university teacher did not remain unheard. I integrated academic experience with creativity and started working as an exhibit designer in my birthplace Munich, Germany. Making things became my profession after moving to British Columbia in Western Canada, where I opened a home based studio for functional art in the Upper Fraser Valley near Vancouver. I started painting furniture and fabrics. My work was part of the rapidly growing trend to refinish and reuse creatively: I mainly used vintage furniture and transformed it into bright focal points for unique interiors, complemented by my hand dyed, hand printed fabrics. These pieces, with bright colours and abstract designs, were shown in exhibitions and window displays.

I have since moved back to Europe and lived for a long while in the West of Ireland before taking up residence in Wales, and since 2014 in Perthshire, Scotland. During that time my focus shifted from functional art to more decorative work, to printmaking and painting applying a variety of techniques.

Then came the moment when I was asked to help promote the idea of reusing and repurposing materials by running classes in vintage furniture painting. This task reconnected me with expertise acquired in the past and led to many contacts with organisations and projects advocating waste reduction, recycling, the need to introduce new economic models of sustainability and circularity.

Learning how the fashion industry that we are familiar with harms the environment and fashion workers rights, and how much waste we produce because we treat clothing as throw-away items gave me a veritable shock. My response was to start altering some of my clothes rather than buying new ones - and I rediscovered my love of sewing. I attended sewing and embroidery classes and eventually decided to make textile art the new direction in my creative practice.

Now I hand-tailor unique garments made mainly from repurposed fabric and contribute to the production of sustainable fashion of high quality, and thus to a section of the circular economy. I feel proud that I was able to transition my small business in this direction, and I definitely like being noticed when I wear my own creations showing flamboyant colours and contemporary designs in my unique signature style.

My studio is located near Coupar Angus in Perthshire (check the business hours on my Facebook page). I sell from my studio, from my own web shop and and from my Perthshire Artisans shop.

For an easy overview of my work visit my website:
www.corneliaweinmanndesign.com
www.perthshire-artisans.scot

Or my Facebook page: www.facebook.com/CorneliaWeinmannArtist