Phil's throwing wheel was the first implement to be installed, then an old book case to display new pieces or to store greenware on until we've bought proper storage shelves.
A friend of mine, John Wells, built a formidably strong work bench for me. I'll be using it for most of my sculptural work with clay, and hopefully also for printmaking if we manage to keep dust levels low at the studio.
Just recently Phil's big kiln arrived, a second-hand Cromartie in great shape. Here you can see the owner polishing his purchase. A few days ago it was connected to the power supply.