December 5, 2011

Fabric design: place mat

Bottles, one of my older designs, playing with a favourite approach to drawing - overlapping lines. To complement this place mat I later painted a big fabric napkin.

Place mat: acrylic paint, acrylic varnish, canvas cloth. 1995.
Size: 40 x 30 cm

Napkin: cotton fabric, Procyon fabric dye, Setacolor fabric paint. 1998.

July 8, 2011

Ceramics: sculpture

One of my experimental pieces, something semi-architectural. Since I prefer not to use glaze, I tried out clays of different colours, but with the same body. Fortunately I didn't get bad tension cracks. The bizarrely bent and rusty nails were epoxied in after the firing. I protected he surface of this House Box with beeswax.

Stoneware clay, grogged, cream and chocolate colour. Nails. 2009.
Size: 15 x 15 x 28 cm

Painting: Watercolour

Two samples of work done a little while ago at my watercolour class in Caerphilly, tutored by Howard Jones who just had a lovely exhibition in the refurbished Dahl Gallery at the Norwegian Church Arts Centre in Cardiff Bay, Wales.
More and more I realise that I'm drawn towards mixed media work and highly textured surfaces. Exciting to slowly develop a personal style. 

Lighthouse
SAA watercolours on Bockingford NOT 300gsm. 2011.
Size: 28 x 38 cm

Wall after the Rain
SAA watercolours, chalk pastels and ink on Bockingford NOT 300gsm. 2011.

June 12, 2011

Recycled furniture: Chair

This chair is part of a set of four stylish oak chairs which I traded for a recycled and refurbished chest of drawers. The bland looking wood was sanded and stained, the drop-in seats needed re-upholstering. I dyed and printed cotton canvas and gave it to Eve Kyle, an interior designer in Maple Ridge, British Columbia, Canada. She did a great job fixing the seats and covering them with my fabric. Four chatty people might sit on four chairs around the table at a dinner party, so I called the chairs Conversation.

Oak, cotton canvas, Procyon fabric dye, Setacolor fabric paint. 2000.

Painting: Watercolour

Work created in my watercolour class, practising the use of a sword brush, and how to set accents with ink drawing.

French Chapel
SAA watercolours on Bockingford NOT 
300 gsm. 2011.
Size: 28 x 38 cm

Clay sculpture: King and Queen

Vaguely influenced by the work of Czech artist Lubomir Silar I slab built these two figures. For a change I applied glossy brush-on glazes. The mount is still missing - I need to think about whether I should use one pedestal for each of the figures or put them together on one base.

Earthenware, brush-on glazes and underglazes. 2010.
Height: 35, 37 cm

Fabric design: vegetable print

My only sample of a fabric printing technique where one uses cut up vegetables to transfer paint onto cloth, here an apple and leek. I didn't apply this technique more often because I don't like wasting food - but the effect is interesting. I learned about vegetable and fruit printing at an excellent workshop facilitated by Maiwa Handprints Ltd. on Granville Island in Vancouver, Canada.

Cotton T-shirt, Procyon fabric dye, Setacolour fabric paint. 1998.